This brings us to the second part of the view camera equation. Lenses. 

But why do lenses matter? Well, simply put, not all lenses are created equal. Generally speaking in recent photographic history, lenses are designed to work both with a single camera system as well as made to cover with very little overlap only the size of the piece of film (or sensor) inside of the camera. With Mirrorless cameras becoming more and more common the idea of adapting lenses from one system to another is becoming much more common. 

Lenses with larger image circles are more ideal for usage with view cameras because it allows for more movements within that circle. Tilting, shifting, rise, fall, and swing movements all require more “room” within a lens. The larger the image circle of a given lens, the more room becomes available. 

As you can see from the chart above, given the smaller sensor size (when comparing against medium or large format) of modern cameras, the 24x36mm sensor can have a fair bit of movement when paired with the larger image circles of medium format lenses. 

But, I already have a lens that does that…

So you may be asking, why wouldn’t I just buy a native Tilt Shift lens (Canon TS-E, Nikon PC) for my camera? And the answer all comes back to movements. Tilt shift lenses only allow for 2 of the 3 directions of movements (and usually don’t allow for more than one adjustment at a time depending on camera orientation). Only a view camera can give you the full range of movements for perspective control.

When comparing the cost of these incomplete solutions you will also find that they are similarly priced. But for the same investment, why would spend the same amount but only get 2/3rds of the features?

Because of the innovation of mirrorless cameras the modern view camera has more opportunities to thrive than ever before. Using the Nikon Z series as an example, because of the change in design the flange focal distance–

( flange focal distance (FFD), is the distance from the mounting flange (the metal ring on the camera and the rear of the lens) to the film plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths)

 –was reduced by 30mm which means that more lens options become viable as they no longer are limited to focusing at a much farther point on the sensor plane. Let’s compare this to some other modern flange distances:

If you have ever written us an email asking for help choosing lenses you may have been sent the below PDF “Cheat Sheet” that describes the most commonly available lenses today, and how well they play nicely with various modern camera systems